Romancing Taiping (Part 1)

A photo essay by Simone Lee

 “I was a little apprehensive at the beginning. Even as a Malaysian, I’ve never heard of anyone raving about a visit to Taiping. But while we were there, I fell in love…………” Simone Lee (Brownie*)

Taiping History (in brief)

Plagued by fierce feuds ( The Larut Wars)  between 2  prominent Chinese secret societies(Ghee Hin and Hai San,   this  once flourishing town in Perak, which prospered from tin mining was said to have been named Taiping – 太 (tai – ‘great’) and 平 (ping – ‘peace’) – after a truce was brokered in the Pangkor Treaty. The treaty was the result of a politically motivated call for British intervention  aided by a friend from Singapore, Tan Kim Ching (son of Tan Tock Seng).

Day 1: Taiping Town and Kuala Sepetang

At the sleepy town, we met our guide, Ah Kew (Lee Eng Kew),  a freelance writer and field historian.  Our first stop: The Old House Museum. One of the earliest 3-storey shophouses built in Taiping, the museum/antique shop retains much of its original architecture.

(please click on images for full size photos and captions)

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Our very knowledgeable and generous guide Ah Kew (pictured on the right) , who was to share with us personal insights into Taiping’s history and cultural links (photo Simone Lee)

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The Old House Museum (photo Simone Lee)

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Clockwise from left): – 1) Much of the shophouse, including the wooden spiral stairs are retained  2) A room filled with miniature cars and dolls – 3) Posters of artists and celebrities from the 60’s and 70’s line the corridor (photos Simone Lee)

Charcoal Factory

The next stop surprised everyone. As we drove into the compound of a charcoal factory, the scene took our breath away. The smoke from the kilns filters the sun rays, reminding me of movies with scenes of a dreamy, foggy mornings by the lake, embraced by mountains.

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The Chuan Seng Charcoal Factory, Kuala Sepetang (photo Simone Lee)

Here, Ah Kew explained the charcoal making process which typically takes several weeks before it is ready to be marketed. In the process, a by-product  “‘charcoal water” is distilled from the baking wood. It is bottled and sold as a beauty product – slightly acidic but gentle enough to be used on the skin. I tried some on my face and arms, and instantly my skin felt supple, toned and smooth! Feeling vain, I wanted to order a bottle, which was selling at just RM5, the retail outlet was closed.

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(clockwise from top-left): – 1) Ah Kew explains how logs from the mangrove trees are brought to the factories by boat via the stream.2)  Steam from the kiln gushes out as the wood is baked  so moisture, evaporates.  3) The igloo-shaped kilns in one of the factories (photos Simone Lee)

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Kuala Sepetang’s Matang Mangrove Forest is the largest mangrove forest reserve in Malaysia and was gazetted as a Permanent Forest Reserve in 1906.  (photo Simone Lee)

At the mangrove forest,  Ah Kew regaled us with stories of 2 notorious pirates with  fearsome reputations in the post war era.

Tan Lian Lay once hid bags of rice in a mangrove forest but they were destroyed when the tide rose. After his death, he was immortalised as a deity because his spirit was giving out winning numbers in repentance for his sins. It has been said Tan Lian Lay was also a trouble maker in Singapore. When he was killed in Bagan Api in Riau, Sumatra, a well- wisher from Singapore sent gifts as a reward for slaying Tan Lian Lay’s reign of terror.

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The fishermen’s village (photo Simone Lee)

Tan Hua Siea  aka Raja Laut (King of the Sea) monopolized the shellfish farms and was on Perak’s most wanted criminal list. Despite that, he eluded capture, sheltered by the locals. Even though he was always dangerously armed, he never terrorised the villagers and was revered  as the Robin Hood of the coast. What happened to him remains a mystery to this day.

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The idyllic village belies its checkered sometimes violent past as hideouts for pirates. (photos Simone Lee)

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Look out for Romancing Taiping Part II next week

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*The Brownies’ yearning to connect to history and thirst for adventure, brings them to various locations within and beyond Singapore. The objectives of these retreats are, to study the historical and cultural links to Singapore, and to strengthen kinship amongst the brownies.

(Brownies are the volunteers who conduct regular weekend guided walks and independent research on heritage, habitat and history of Bukit Brown Cemetery.)

 

 

Bukit Brown : Documenting New Horizons of Knowledge

Location: NLB 9th flood from now until 10 October’14 and thereafter it will travel to other regional libraries.

The exhibition was officially opened on Saturday 19 July,2014 by MOS (Ministry of National Development) Desmond Lee.

It represents almost one and half years of research and working the ground documenting some 4,153 tombstones which are affected by the building of a new highway across Bukit Brown, by a team under the leadership of Dr. Hui Yew-Foong, an anthropologist with ISEAS.

We have observed the team hard at work over these years, joined some of them during Qing Ming and exhumations as observers and friends of the family of descendants,  and the exhibition is a comprehensive and compact  expression of what they have uncovered, shared with the public with insight and interesting artefacts , enhanced by new technology.  We recommend it as a “must see” and “ground breaking”  for insights shared of customary practices and traditions of burial customs and respect for ancestors.

An extract from the media release:

Documenting New Horizons of Knowledge” assembles a diverse range of documents,maps, photographs and objects to demonstrate how a cemetery can open a window to Singapore’s historical past and cultural present. Through a multi-disciplinary approach employing cutting-edge methods, techniques and technology, the exhibition will bring to the fore new horizons of knowledge unveiled through the documentation of Bukit Brown.

The exhibition  opens with the origins of the cemetery, as a project of the Municipal Commissioners in early 20th in 1973, will be illustrated through maps and aerial photographs. Next, through explication of  tomb inscriptions, tomb typology and the material culture of the cemetery, the exhibition will demonstrate Singapore’s connectivity to the region, China and the world.

While the cemetery is a burial space for the dead, it is also a space for the living at different points of Singapore’s history and ritual calendar. This will be illustrated through the life of kampongs that used to be situated in the vicinity of the cemetery and the life of the cemetery during Qing Ming and the Seventh Month Hungry Ghost Festival.

As data for the graves was collected and organised within a Geographic Information System (GIS) framework, the exhibition will present a Centrepiece where visitors will be able to access data related to specific graves through a map-based database on a touch screen monitor.

Finally, visitors will get a glimpse behind the scenes of documentation work, to get a sense of the different methods, techniques and technologies that were employed in the course of documentation. These range from balloon photography to 3D scanning, from interviewing to filming, and from the work of architects to the work of archaeologists.

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Highlights of the Exhibition Opening

Show and Tell photo Ang Hock Chuan

Dr Hui Yew-Foong, explaining material culture to MOS Desmond Lee during the curator’s walk through (photo Ang Hock Chuan)

Show and Tell 1 (photo Ang Hock Chuan)

Dr. Natalie Pang (NTU) who worked on the IT applications for the centerpiece map demonstrating how it works to MOS Desmond Lee (photo Ang Hock Chuan)

Show and Tell 3  (photo Ang Hock Chuan)

The urn which used to house re-interred remains from other cemeteries to Bukit Brown (photo Raymond Goh)

This urn was used to re-inter bones exhumed from an older cemetery. It was from the grave of Madam Khoo Siok Hui, who died in 1836. Her grave was the oldest among those documented at Bukit Brown. Madam Khoo and her son Chee Yam Chuan were among the early settlers of Singapore. Mr Chee later returned to Malacca and made his fortune in tin mining in Selangor. Today, the Chee Yam Chuan Temple Trust continues to flourish in Malacca and Madam Khoo’s ancestral tablet can be found in the temple. The story behind this family shows the close links between Malacca and Singapore in the early years. It was Raymond Goh who first deciphered the inscription and unraveled  the connection.

Show and Tell 2  (photo Ang Hock Chuan)

Treasure trove of jade bracelets worn by the women and traditionally buried with their wearers. (photo Ang Hock Chuan)

Show and Tell 4  (photo Ang Hock Chuan)

Descendant Serene Tan of pioneer Tan Quee Lan, gets one for the album when MOS Desmond Lee sportingly agrees to walk with her to visit her “great great grandfather’s road” ( photo Ang Hock Chuan)

Show and Tell 5  (photo Ang Hock Chuan)

They were accompanied by a entourage of brownies who have been sharing Serene’s journey of reconnecting with her ancestors since Raymond Goh found the Tan Quee Lan cluster re-interred from another cemetery at Bukit Brown (photo Ang Hock Chuan)

A video at the exhibition features Serene Tan and her family observing the first Qing Ming at Bukit Brown in 2012 after Raymond Goh discovered the cluster of  Tan Quee Lan tombs, and shows how the cluster underwent a renovation makeover by Serene and her cousin LT Tan who met at Bukit Brown itself.  Serene’s story can be read here

The cluster is not affected by highway.

Show and Tell 6  (photo Ang Hock Chuan)

Brownies, academics, descendants, members of the documentation team at the exhibition (photo Khoo Ee Hoon)

“….to everyone who came and supported the launch, and most importantly, supported us and helped us generously with our research over the last 33 months. One of the purposes of the exhibition is to acknowledge all your contributions and I hope it accomplished that.” Dr Hui Yew- Foong, Curator of Exhibition on a FB posting.

Look out for 2 specially curated walks by the Brownies in conjunction with the exhibition in August (English) and September (Mandarin).

Photos taken of the exhibition courtesy of  Brownie Ang Hock Chuan on Facebook  here

Read more about the exhibition by the Rojak Librarian here

 

 

 

 

 

 

 

by Norman Cho

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The grave of great grand father Cho Boon Poo (photo Norman Cho)

In 2011, I discovered the grave of my paternal grandfather, Cho Kim Leong at Bukit Brown Cemetery. Since then, I have been trying to locate the tomb of his father, Cho Boon Poo (Cho Poo), who was laid to rest in Malacca. I had absolutely no clue as to which cemetery he was buried. Bukit Cina and Jelutong cemeteries came to mind but these are huge cemeteries with more than a hundred thousand graves each. They are maintained by the Cheng Hoon Teng Temple but pre-war records are unavailable. It seemed that I had hit a dead-end!

However, miracles do happen. To me, these are little blessings from above. Perhaps, the old man had wanted his descendants to visit him and had influenced how things turned out. It must have been decades since the last time any descendants paid their respects at his tomb. He must have known my sincerity and had helped me along without my knowledge. The breakthrough came in April 2014. A relative whom I had never known, contacted me via Facebook to introduce himself as the maternal great-grandson of Cho Poo, after he had discovered that we have matching ancestors from an online Family Tree software on the internet. 70 year old Vincent Lee was descended from Cho Poo’s eldest son, Cho Kim Choon, while my paternal grandfather, Cho Kim Leong, was the third son. He resides in Australia and was planning a trip down to Singapore in April 2014. He requested my assistance to put him in touch with the relatives in Singapore.

It turned out to be a blessing for me! I talked to my eldest aunt, Rose Cho (88 years old), to ask for the contacts of other relatives from the Cho clan. That was how I found aunt Elizabeth Cho (62 years old), who was the only child from the fifth son, Cho Kim Hock, a famed state badminton player for Malacca in the 1930s. We organised a dinner for our overseas relative and his wife. During dinner, I had a nice chat with Elizabeth – whom the family affectionately calls Bert – about Cho Poo. She told me that her only visit to his grave was when she was a child of 9 years old. That was more than 50 years ago! Her father who was the only surviving son at that time dreamt of his father asking him why he had not visited him in such a long time. Heeding the call, he brought his wife and daughter to pay their respects to his father. Since then, he had visited the grave alone every year till several years before his death in 1990.

Aunt Elizabeth, had the memory of an elephant! She vividly recalled that the cemetery was about a 40-minutes-drive from the Malacca Town, but had no inkling about the name of the cemetery. She further described that the cemetery was sliced into two by the main road, there was a cemetery on the left and another on the right, and Cho Poo’s was on the right. The tomb was relatively large and on a gentle-sloping plain. It faced a vast and beautiful paddy field. She added that the cemetery was on the land which once belonged to Cho Poo and was probably the private burial ground of the Cho family. Later, when the family was not doing well financially, it was sold to the Malacca’s Eng Choon Hway Kwan and it became a cemetery for the Eng Choon community. She thinks that the tomb should still be there, given the leisurely pace of development in Malaysia. She asked if I would be able to find the tomb. I told her that I could try. All her clues were useful, except for the paddy field. I told her that I doubt the paddy field in her memory still exists. Nevertheless, I took whatever clues that I could use and converted them into intelligent information.

Firstly, I eliminated Bukit Cina as it was near Malacca Town and therefore could not be a 40-minutes-drive. Next, I looked at the map of Jelutong cemetery but it was not sliced into two by any road. I asked a few Malaccan friends of other lesser-known cemeteries and searched the Google Map for them. Finally, I found a relatively small cemetery, probably no larger than 20 acres, which was dissected by a main road. It was away from the Malacca Town and would probably take about 30 minutes to get there by car. This was the Krubong Cemetery. To be certain that I had located the correct cemetery, I contacted a Malaccan friend who verified that this cemetery is indeed managed and owned by the Eng Choon Hway Kwan. He helped me to obtain the mobile contact of the tomb-keeper to locate the grave. With modern technology, I communicated with the tomb-keeper via Whatsapp to economize on the phone bill. Amazingly, he found the tomb the very next day. The search was completed successfully in less than a week since I started piecing the information together!

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Locating Krubong Cemetery in Malaya on Google Map ( photo Norman Cho)

I informed aunt Elizabeth who was extremely excited and delighted with the news. We decided to go on a trip to Malacca to pay our respects to our common ancestor, Cho Boon Poo. He was the first ancestor who came to this part of the world to carve a better life for himself and his family. By braving the elements to come to the land across the Southern Seas, he had changed his destiny and that of all his descendants. It was through sheer grit and hard work that he built a successful business and owned vast plantations in Malacca and Seremban dealing in palm leaves, gambier, tapioca and rubber. We all had to be grateful to him for being able to lead good lives in Malaya and Singapore for six generations and counting. He married nyonya wives and that was how my Peranakan roots came about. Being a strict father, all his children were well-brought up and a few of his descendants took on key positions in the civil service.

I was told how strict he was about punctuality. The family would have dinner at 7pm sharp and everyone was expected at the table. Nobody could join in once dinner was served. If you missed dinner, it meant that there would be no dinner for you. During one occasion, his fourth son, Kim Tian came home late but the kind servant saved some food for him. When found out, the servant was sacked. He had a strong character and was on the board of the executive committee of the Eng Choon Hway Kwan.

We arrived at his grave on the morning of 23 June 2014 and I noticed that his tomb was the largest amongst the 50-odd tombs in the vicinity.

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Among the largest grave in the area (photo Norman Cho)

What captivated me were the Peranakan tiles (Majolica tiles) which adorned his tomb. No other tombs in the surrounding area had this feature. I was told that having Peranakan tiles on the tombs was not widely popular with the Malaccans. Unlike in Singapore, figurines of the Golden Boy and Jade Maiden were conspicuously absent in Malaccan tombs of even the very wealthy. The tomb used to face water-filled paddy fields which are supposed to be auspicious – water and rice. Unfortunately the paddy fields had since given way to modern development. Cho Poo’s tomb seems to be steep in Fengshui elements : the front courtyard of the tomb forms part of a hexagon instead of the normal rectangle or semi-circle. Along the perimeter of the front courtyard lies a water catchment channel which would collect water when it rains. This had since been covered with soil. The tomb shoulders are angular but eventually taper to form convoluting arms that seem to embrace the courtyard. Likely, it symbolizes a firm hold on wealth.Through the tomb inscriptions, I found the names of one of his wives (Lee Hong Neo) and that of the male descendants – sons, grandsons and even great-grandsons! He died at the age of sixty-nine in 1930. My aunt offered joss-sticks and joss-paper as a form of respect to our ancestor.

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(photo Norman Cho)

This trip has been very fruitful not only about finding out more about Cho Poo and paying our respects to him, but it has built a closer bond between aunt Elizabeth, her husband and I, even though we had known each other only recently.

More on Norman Cho’s journey of discovery, here

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Family photo taken with the tomb-keeper. (L-R): Norman Cho, Elizabeth Cho-Tan, Peter Tan, Tomb-keeper Liow. (photo Norman Cho)

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The shrine of the Earth Deity for the tomb (Norman Cho)

 

 

 

In a report, published on Sunday, 22 June, 2014,  Bukit Brown  emerged as among the top 3 sacred sites in Singapore,  voted by readers in a Straits Times poll.

On learning of the news, Claire Leow, co founder of All Things Bukit Brown reflects:

To see the Singapore Heritage Society recognised is most apt, for they sparked the civil society response back in November 2011.

To see the Brownies identified as a group is itself moving, as this disparate group of volunteers, heritage enthusiasts and selfless sharers of knowledge and skills has been utterly inspiring. You don’t get more organic than this community, active on site, offsite, beyond keyboards and in cyberspace. Hats off to sifu Raymond Goh and Charles Goh  for their inspiration.

And to see others rally behind the Brownies, to cheer us on, to lift us up when we are down, to join us when we utter the rallying cry to stand up and be counted, to share sunny weekends and stormy ones at Bukit Brown, and just patiently adding to the knowledge we are just uncovering day by day, gently correcting our mistakes, boldly stepping in with expertise, shaping the very history of this campaign. Amazing. Very moved……”

Bukit Brown – one of the three sites Singaporeans voted as a sacred place.

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The Straits Times
Dateline: 22 July, 2014

The overgrown graves stretching for 200ha bang amid the city bustle make for a restful, peaceful spot rare in urban Singapore.

But when Bukit Brown Cemetery was slated for redevelopment for roads and residential buildings, it was more than its lush beauty that resulted in that rarity in Singapore – vocal protests to preserve it.

The site tugged at Singaporeans’ heartstrings, being the resting place of many forefathers of the country, a living repository of the Chinese diaspora’s tomb culture and design, and where descendants today visit for traditional rituals such as tomb sweeping.

Two civil societies – the Singapore Heritage Society and heritage enthusiasts who dub themselves “the Brownies” – organised petitions and embarked on efforts to document tombs.

No substantial concessions were made by the Government, however, to save the site from an eight-lane road running across it. It is also slated for residential development beginning with its southern portion.

Yet, it’s among the top three sites that Singaporeans deemed as “sacred” places in a recent Straits Times poll.

The poll itself followed a call by academic Kishore Mahbubani, dean of the Lee Kuan Yew School of Public Policy, for a list of sacred spaces and places to foster a love for Singapore, to help it fully become a true city.

Singapore already has essential aspects such as “busyness” and being “safe”, he said in a commentary in The Straits Times, citing American urban geographer Joel Kotkin. However, it lacks the sacred, he said, which Kotkin defines as any unique institution or spot “that (makes) one feel an irrational commitment to a place”.

Certainly, pockets of the population saw the Bukit Brown protests as verging on irrational, given the need for more roads in congested Singapore.

Still, Professor Kishore’s commentary comes amid increasing efforts to make more of Singapore’s heritage, such as the conservation bid by Pearl Bank Apartments’ owners in April.

And it puts the spotlight on the approach to heritage preservation. Insight looks at the challenges and what more might need to be done.

Blunders of the past

In 2004, Singapore’s red-brick National Library building was unceremoniously razed to the ground to make way for the Fort Canning Tunnel.

Built in 1959, it was considered by some as architecturally undignified compared with its grander neighbour, the National Museum of Singapore.

Despite extensive efforts by the community to save the space – with a normally passive public penning angry forum letters in the media, and architects such as Mr Tay Kheng Soon proposing alternatives, including re-routing the tunnel – the dissent was swept under the carpet.

Experts say this marked a turning point as it sparked a rise in civic activism and was when Singapore’s conservation movement took root.

It crystallised the idea that heritage conservation and preservation goes beyond protecting splendid colonial buildings to encompass our social and cultural soul.

Retired shipping manager Yeo Hock Yew, 65, says the library had been part of his life since he was a schoolboy studying at nearby St Joseph’s Institution.

“In my university years, I headed there to do research and, as a father, I brought my children there every Saturday morning.

“It was part of the whole landscape of bookshops from the Bras Basah row and the MPH building in Stamford Road. If you couldn’t afford buying from these places, you headed to the library.”

During Singapore’s early years as a new nation in the 1960s and 1970s, swathes of the country fell victim to the wrecking ball. The Government’s main priority, understandably, was to improve living conditions and build up the economy.

Still, awareness of the need to save heritage sites began to emerge. In 1971, the Preservation of Monuments Board (PMB), which last year became the Preservation of Sites and Monuments (PSM), was set up to provide legal protection for national monuments. The division now falls under the wing of the National Heritage Board (NHB) and its role includes offering monument owners guidance and regulatory support.

The board itself is the big daddy of Singapore’s heritage custodianship, promoting heritage appreciation through managing its national museums, documentation and outreach efforts.

Then there is the Urban Redevelopment Authority (URA), established in 1974 and charged with studying old buildings for possible conservation as part of land use planning.

On the private scene,the Singapore Heritage Society, a non-governmental organisation, was established in 1987.

Academics note that people are talking more avidly about heritage than they did 10 to 15 years ago. “People have grown more expressive about protecting their heritage. It has become part of public discourse,” says Professor Johannes Widodo.

This has also given rise to the recognition that there are new categories of heritage which deserve protection……Read on here

Dawn - the best time to bird watch (photo: Goh Si Gium)

A Sacred Place (photo: Goh Si Gium)

 

Photo Catherine Lim

(Photo Catherine Lim)

 

“Moving House”

The Story behind the Painting

 by Alvin Ong

The story of 3 affected graves at Bukit Brown not too long ago inspired a revival of family interest; Tan Yong Chuan (Blk 4, Div C), Tan Tiam Tee (Blk 3, Div B), Wee Geok Eng Neo (Blk 4, Div 6) were exhumed in May 2014. Old photos were unearthed from family albums, and heirloom objects from another era suddenly came to light. For the first time in decades, stories and narratives unlocked themselves from these objects and brought new layers of meaning to the notions of home and identity.

Tan Tiam Tee was the son of the magnate Tan Hoon Chiang (buried in Bukit China, Malacca), one of the founders of the Straits Steamship Co. His wife, Wee Geok Eng Neo, and his son, Tan Yong Chuan were all affected by the proposed highway.

(click on images for a bigger view)

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Funeral of Wee Geok Eng Neo, nee Mrs Tan Tiam Tee. Upper Thompson Rd, 1926. (photo courtesy of Alvin Ong)

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Funeral of Tan Tiam Tee, 1930. (photo courtesy of Alvin Ong)

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Funeral of Tan Yong Chuan, died age 29, 26 November 1937, Neil Road (photo courtesy of Alvin Ong)

 

Funeral of Tan Yong Chuan, died age 29, 26 November 1937, Neil Road. (photo courtesy of Alvin Ong)

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Descendants at the tomb of Tan Tiam Tee, holding his portrait during Cheng Beng -tomb sweeping festival, 2012 (photo courtesy of Alvin Ong)

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Descendants at the tomb of Tan Yong Chuan, Cheng Beng-tombsweeping festival , 2012 (photo courtesy of Alvin Ong

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Pictures from the exhumation of Wee Geok Eng Neo, May 2014 (photo courtesy of Alvin Ong)

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Pictures from the exhumation of Wee Geok Eng Neo, May 2014 (photo courtesy of Alvin Ong)

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Pictures from the exhumation of Wee Geok Eng Neo, May 2014 (photo courtesy of Alvin Ong)

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Pictures from the exhumation of Wee Geok Eng Neo, May 2014 (photo courtesy of Alvin Ong)

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Pictures from the exhumation of Wee Geok Eng Neo, May 2014 (photo courtesy of Alvin Ong)

Miniature cooking pots were interred in Mrs Tan Tiam Tee’s tomb, presumably for her to cook in the afterlife, along with a pearl sanggul, and bracelets. According to my relatives, a set of gold teeth with an engraved heart shape was also found in Tan Yong Chuan’s tomb.

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Tan Yong Chuan (son of Mr and Mrs Tan Tian Tee) was finally reunited with his wife for the first time in Holy Family Columbarium after 77 years. The columbarium has an unusual regulation that all photos of the deceased must be in color.

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Original photo of newly-wedded Tan Yong Chuan and his wife. (photo courtesy of Alvin Ong)

No color photographs of the deceased had existed at that time, so with the help of numerous correspondences, scans were digitally emailed, and the photos doctored and hand-painted.

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Painted portrait of Maria Anna Seet Chow Neo by Artist (photo courtesy of Alvin Ong)

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Painted Portrait of Tan Yong Chuan by Artist (photo courtesy of Alvin Ong)

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Reunited Mr. & Mrs Tan Yong Huan (photo courtesy of Alvin Ong)

 

Studying overseas has allowed the artist the space, physically and emotionally, to explore ideas of home and identity. These graves were only re-discovered shortly after the redevelopment plans were announced. The sight of the many abandoned tombs on the artist’s first visit to Bukit Brown had sparked questions about what happened to the descendants of the people who were interred there, which in turn, prompted the artist to explore if there were indeed any family connections to the cemetery at all. Beyond the historical and material significance of the place, it also felt like a site where mystery, the past, and present all came together. Reuniting with the tombs for the first time in many years became an emotional moment for some, and it also made us feel as though we have touched history, an experience that is becoming exceptionally rare in Singapore.

These were ideas that all came together in the painting, which were almost auto-biographical in that they featured vignettes of the artist’s experience with the discovery of the pioneers of Singapore and his roots. One random memory was a trek with Raymond Goh to Seah Eu Chin’s grave; One of the Teochew stone lions guarding the perimeter of the tomb eventually found its way into the picture. Raymond was featured in the early stages of the work, but in the end, this idea of displacement, loss and discovery surfaced in the final version titled, “Moving House”.

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“Work in progress” by artist Alvin Ong (image courtesy of the artist)

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Final work, “Moving House”, acrylic on canvas, 90 x 61cm (courtesy of Alvin Ong

This is not the end of the road. There is yet another tomb whose story remains waiting to be told, my maternal great grandfather, Peck Mah Hoe, pictured here. The artist will be heading to the Peck clan temple in attempt to uncover more. And hopefully, there will be more paintings to come.

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The grave of the artist’s maternal great grandfather, Peck Mah Hoe(photo courtesy of Alvin Ong)

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Stele in Peck clan temple with the name “Peck Mah Hoe” at the top, although the character for “Hoe” differs from the one on the tomb. Photo courtesy of Yik Han.

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About  the writer who is an  artist :

Alvin Ong is reading fine art in Oxford, and did architecture at the National University of Singapore. In 2004, he was the youngest winner of the UOB painting of the year award at the age of 16. He had his first solo exhibition at 17, in the presence of His Excellency President S R Nathan.

 

 

 

 

The Brownies will be conducting 2 special walks as part of the urban community movement called Jane’s walk. There are other walks at various parts of the city as well and you will need to sign up at the website for the Jane’s walk of your interest.

Here is the link to all the Jane’s walks that will be conducted in the weekend of Fri 2 May’14 till Sun 4 May’14.

To sign up follow the link on the Jane’s walk page or go there directly here.
An Evening Stroll into the Past (Sat 3rd May’14 @7.00pm)

Lorong Halwa gates (photo: Theresa Teng)

Lorong Halwa gates (photo: Theresa Teng)

Andrew & Beng will throw a light on the lives and times of the Pioneers at the turn of 20th century Singapore in this special dusk to dark stroll from Bukit Brown Cemetery to McRitchie carpark. Listen to stories of the pioneers that helped build Singapore, while looking out for night birds such as night jars and owls during a leisurely stroll through the cemetery. Please note, to bring your own torch lights for this guided walk.
We will end the walk at the McRitchie carpark.
…. read more

Heritage Walk Botanic Gardens to Bukit Brown (Sun 4th May’14 @8.00am)

Bukit Brown (photo: Bianca Polak)

Bukit Brown (photo: Bianca Polak)

Join Claire and Bianca on a tour starting at the Botanic Gardens MRT from where we’ll walk to Jacob Ballas garden carpark (for those who drive they can join us there). We’ll pass by the old Command House along Kheam Hock Road, and into the trail at Bukit Brown, exploring the remnants of a kampung after which we’ll cross over into the cemetery. Along the way we’ll share stories of the WWII war heroes and stories, tales of the kampung, and some of Singapore’s prominent pioneers and an introduction into Chinese tomb designs. We encourage participants to share their personal stories along the way as well.

 

Useful info here: Getting There/游览信息

 

 

By Sugen Ramiah

The Qing Ming festival, or  tomb sweeping day, is  observed by the Chinese worldwide. It is a day for them  to pay homage to their ancestors, either by visiting graveyards, columbariams  or ancestral tablets in ancestral halls.

The actual day falls either on the 4th ot 5th  of April, but families have a window of  ten days before or after the actual day to conduct Qing Ming.  This year, I was fortunate to have been able to observe Qing Ming in Bukit Brown and other  locations.

Qing Ming, has many stories to its origin, but is mainly observed as an act of being filial and for geomancy (feng-shui) reasons. The Chinese believe that the bones of their ancestors and the lives of the descendents are inextricably  connected. For abundance in wealth and happiness, firstly, one has to be filial. Secondly, there has to be a good flow of Chi (positive energy) on the forecourts of their ancestors. During the dry season, the  foliage clogs the drainage causing an obstruction to the flow of water.  During  Qing Ming, the drainage is cleared, to allow the flow of water (Chi) onto the forecourt of the tomb.  Qing Ming is also a perfect opportunity for extended family members to get together amidst busy work/family commitments.

Descendents set off as early as first light, to wash, sweep, and weed the tombstones. Inscriptions on the headstones are then re-inked using red or gold paint. A stack of coloured paper or a stone is placed on the headstone to signify that the dead is not forgotten. The paper is also  scattered on the mound of the grave. This recalls how an emperor from the Han Dynasty in China could not find his parents’ tomb  after he returned from war. He was then told to throw five coloured paper into the air and where they lodged, that was the location of his parents’ tomb.

Two sets of offerings are prepared by the families. First set is for the earth deity by the side – a pair of candles are  lit,  food   and incense  offered to the Tu Di Gong who is the guardian of the tombstone. Paper money is also burnt as a form of offering.

Second set is for the deceased – a pair of candles are lit, offerings of tea, fruits, favourite food, and longevity cakes are placed on the tombstone altars.  Incense sticks are firstly offered to  long departed ancestors and subsequently to the deceased.  Incense sticks are placed in an urn and sometimes  around the mound, and then descendents wait for the deceased to ‘finish’ their meal  Sometimes during  the wait, incense sticks are offered to neighbouring tombs – recalling the days of the  kampong spirit.

Once approval has been given through the moon blocks or coins,  offerings of hell notes and silver paper, clothes, shoes and even latest technological gadgets such as the ipads are  burnt for the deceased. Sometimes the required items are packed in a paper treasure box, sealed with the  name of the ancestor and burnt for them exclusively. To conclude, tea or any form of liquid is poured around the offering to “secure”  the area of the burnt offerings, so as to avoid invasion by other wandering spirits.

 

Coloured Paper  placed on the headstone (photo Sugen Ramiah)

Coloured Paper placed on the headstone (photo Sugen Ramiah)

Coloured paper  scattered on the mound of the grave (photo Sugen Ramiah)

Coloured paper scattered on the mound of the grave (photo Sugen Ramiah)

How  water accumulates  on the forecourts of a tomb (photo Sugen Ramiah)

How water accumulates on the forecourts of a tomb (photo Sugen Ramiah)

Offerings to the earth deity (photo Sugen Ramiah)

Offerings to the earth deity (photo Sugen Ramiah)

E - QM

Simple offerings of tea and candy by a woman who comes here yearly to pray for her infant aunt who died during the war. The infant’s burial was not registered so the exact location of plot is unknown.(photo Sugen Ramiah)

F - QM

The Ng Family has to charter a bus  to transport  the entire family for  Qing Ming (photo Sugen Ramiah)

G - QM

The Ng Family has to charter a bus to transport the entire family for  Qing Ming (photo Sugen Ramiah)

H - QM

A young boy from the Pek Family, who looks forward to Qingming annually, as he gets to visit the tomb of his Lau Yeh (Great grandfather) and meet his cousins. Photo taken at the tomb of his Great Grand Father at Hill 3 (photo Sugen Ramiah)

I - QM

The Pek Family at the tomb of their ancestor (photo Sugen Ramiah)

J - QM

The older generation still make their way to visit their ancestor’s grave (photo Sugen Ramiah)

K - QM

The older generation still make their way to visit their ancestor’s grave (photo Sugen Ramiah)

L - QM

Descendents observing Qing Ming in a less taxing environment at the Cantonese Ancestral Hall of the Singapore Hok San Clan Association (photo Sugen Ramiah)

M - QM

Offerings placed at a niche at Mandai columbarium (photo Sugen Ramiah)

N - QM

Offerings of silver for the deceased and gold for deities (photo Sugen Ramiah)

It has been a rewarding experience, to learn from family members on how they up hold traditions that has been handed down to them.  All they hope is that these traditions will be carried on by the generations to come and that their ancestors will not be forgotten. I will close with a quote that is close to my heart.

“To acknowledge our ancestors means we are aware that we did not make ourselves that the line stretches all the way back, perhaps to God; or to Gods. We remember them because it is an easy thing to forget: that we are not the first to suffer, rebel, fight, love and die. The grace with which we embrace life, in spite of the pain, the sorrow, is always a measure of what has gone before. ” – Alice Walker

***

Sugen Ramiah is a teacher by training and his interest includes   observing and documenting Chinese festivals and rituals conducted by temples.

Read his blog posts on Salvation for Lost Souls here and  here

Read about the tombkeepers’ Qing Ming here

 

 

 

 

 

 

by Sudhir Thomas Vadaketh

My wife and I went on a lovely tour of Bukit Brown, conducted by Fabian, lawyer-cum-history buff and very proud “Brownie”, on the morning of Saturday, January 25th 2014.

Before then, the last time I had visited Bukit Brown was in Junior College, when classmates and I would go there for a spooky tipple, more focused on whisky than history.

Only now do I realise how much I have missed. On that Saturday, I learned so much about Singapore’s past. Love the crazy characters: polygamists, guerillas, tycoons, benefactors, sometimes one and the same.

Although I have read much about the Bukit Brown controversy over the years, it is only after visiting that I have a deep appreciation for what we—as a country, society and culture—are about to lose.

Many of us decry Singapore’s rush to development, and GDP-maximising policies. When we speak about, say, high population growth or unnecessary destruction and rebuilding, it can sometimes get a bit abstract, the story lost in numbers and details. A visit to Bukit Brown illustrated the problem to me in a very visceral sense, in a way a thousand articles can never do.

It seems almost perverse that Singaporeans, myself included, will travel abroad and marvel at historical ruins and temples in places such as China and India, yet can stand by and allow a place of such historical import to be ripped from our soul. Our collective Singaporean identity is suffering, slowly, with each grave exhumed. I feel ashamed.

As a writer, I also drew a lot of inspiration from my visit. First, in terms of history, I learned a lot about Singapore’s connections to China and India. I am currently working on a book about the two countries, and Bukit Brown threw up some fresh ideas for stories. For instance, I started to think more about the role of Singapore-based revolutionaries, aside from Sun Yat-Sen, who is oft spoken about, in China’s 1911 revolution.

Meanwhile, it also occurred to me that there are many more interesting intersections of Chinese and Indian culture in Singapore, for instance the Sikh guards who protect the Chinese tycoon’s grave (see picture).

Naked angel on the right, a scene from Romance of the Three Kingdoms in the middle. And on the left, guarding this Chinese tycoon's grave, is an Indian Sikh. #onlyinMalaya]

“Naked Angel” on the right, a scene from Romance of the Three Kingdoms in the middle. And on the left, guarding this tycoon’s grave is an Indian Sikh (photo Sudhir Thomas Vadaketh)

Second, in a broader sense, I was also inspired by the greenery, architectural beauty, and solitude that Bukit Brown offers. Artists in Singapore often bemoan the city’s dry, insipid environment. A walk through Bukit Brown left me rejuvenated, in a way that the artificial icons like Marina Bay Sands and Gardens by the Bay will never do.

Exhumations are slated to be completed by the end of this year. For those of you who have yet to visit, please do. Especially those with children. Do take them—who knows what will be left of Singapore when they’re older?

“Not just about the graves; the trees are beautiful.”

Not just about the graves; the trees are beautiful (photo Sudhir Thomas Vadaketh)

“Some graves are still being unearthed by descendants!”

Some graves are still being unearthed by descendants (photo Sudhir Thomas Vadaketh)

Many beautiful sculptures, worthy of preservation

Many beautiful sculptures, worthy of preservation (photo Sudhir Thomas Vadaketh)

(For more on my book about China and India, tentatively titled From Kerala to Shaolin, please see here.)

About Sudhir Thomas Vadaketh:

After seven years at The Economist Group, in early 2013 Sudhir left the professional world to write full-time. His literary interests concern the way grand socio-political systems influence ordinary people’s lives, their worldviews and their interactions with each other. He hopes to follow his first book, Floating on a Malayan Breeze, with narratives on Asia’s other great societies—he is currently working on a book about China and India. He has written for a variety of publications, including The Economist, The Straits Times and Yahoo! News.

Sudhir blogs at sudhirtv.com

 

 

 

 By Serene Tan

Not long after my dad passed away in 2011, the government announced plans for an 8 lane highway that would cut through Bukit Brown,  and graves in the way would have to be exhumed.

The news of the highway triggered a memory. The last time I visited my grandpa’s tomb was more than 40 years ago when I was a young girl.  I could vividly recall my grandpa’s tomb at Bukit Brown.  Concerned it might be affected, I realised it was time to visit him.

I arranged with my cousin to visit the grave for the  ‘Qing Ming’ festival the next year, 2012.  It was a relief to learn that his grave was not staked for exhumation. But to my dismay, the tomb was in a dilapidated condition.  The tomb had been neglected for more than 15 years after my dad suffered a massive stroke which left him paralyzed and wheel chair bound.

Tomb before renovation _ photo Serene Tan

Grandpa’s tomb (photo Serene Tan)

It dawned on me then, that I now had the responsibility to carry on my father’s  duty to ‘sweep’ grandpa’s tomb  during the ‘Qing Ming’ festival.  His tombstone spoke to my roots.

Inscribed on the tombstone was my ancestral hometown , Kimen,  my grandfather’s death date, 1937,  and the names of his children. My father was the only son.  For the first time I came to know my father’s birth name 陈天吉, Tan Tien Kiat,  inscribed on the tomb.  My grandpa passed away when my dad was only five and dad changed to a simpler  name, 陈 亞 旺, Tan Ah Ong

I arranged with a contractor to renovate my grandpa’s tomb, and before work started, I decided it was also time to visit my ancestral home in Kinmen, Taiwan . Unconsciously, I think I was seeking the blessings of my father and grandfather.
My grandpa Tan Teow Meng (陈 朝 明 )left his home in Kinmen, more than 100 years ago. In Singapore,  I was told he worked as a lorry driver and died because of a bout of high fever.

My father had attempted to visit his ancestral home, thrice in the 80s.   Kinmen  is a small archipelago of islands and at that time was under a military administration because of fighting with China.  The only  means  of transport then was by military helicopter.  Visitors to the island were  restricted but because Dad could claim to be descended from his ancestors in  Kinmen, getting permission was not the problem.  Each time, it was  bad weather which prevented my father’s flight on the helicopter from  taking off  from mainland Taiwan.

He was so close and yet so far. I felt deeply the pain of his disappointment.  Dad subsequently passed away, without fulfilling his dream.

It was in  my ancestral village of Houshan  (后山), now known as Bishan, that  I learned my father had contributed funds to two temples.  His name was inscribed on the list of donors for both temples. This one is from the smaller village temple  陈氏宗祠

Village temple inscription

I placed my father’s photo as close  as I could to  the inscription of his name among  the temple’s donor list (photo Serene Tan)

My heart swelled with pride. There is an old Chinese saying “Drink Water, But Remember the Source”-   “饮水思源” .  My father, although he was not able to visit his ancestral home, never forgot his roots.

The family home and land in Kinmen, remains abandoned.  But at home in Singapore, my grandpa’s tomb has been rebuilt with  granite stone and fresh inscriptions in gold dust.  My grandpa had a humble life  his son – my father – worked hard and became a successful business man and never forgot his father.  I have always admired my father for his work ethic and persistence.

Tomb after reno_ Serene Tan

Grandpa’s new home (photo Serene Tan)

Inscriptions _Serene Tan

Who we are and from whence we came  ( photo by Serene Tan)

So as I marked Qing Ming at my grandpa’s new  “home” after my visit to Kinmen, I felt happy and blessed to have been able to accomplish my father’s dream of visiting our ancestral home.

tomb after Qing Ming_ Serene Tan

Qing Ming at Grandpa’s tomb, 2013 (photo Serene Tan)

***

My journey to my ancestral home in Kinmen in a photo essay.

Map showing Bishan

Map of Kinmen, showing Bishan at top right hand  (photo Serene Tan)

Ancestral home _Serene Tan

My ancestral home and land, abandoned.  Relatives I met told me, the home was occupied by troops during the conflict with China and they also dismantled the wooden structures to build their bunkers.  ( photo Serene Tan)

The village temple  陈氏宗祠

Small Temple external

The village temple nearby which my father donated funds to (photo Serene Tan)

The temple serves residents  nearby to offer prayers anytime as and when they deem necessary. (陈氏宗祠)

small temple interior

A view of the interior of the village temple (photo Serene Tan)

My father also donated to the larger Tan clan ancestral temple, 陈氏 家廟.  Unlike the village temple, it’s  opened only for certain festival celebrations  and entry restricted to only  male descendants. I was privileged  to be granted permission to enter, as an exception.

 Tan Temple 2

In the courtyard of the Tan temple, holding a photo of my father  (photo Serene Tan)
Tan Temple 3

Entrance to the Tan temple (photo Serene Tan)

Tan Temple 1

Offering my respects at the Tan temple (photo Serene Tan)

My father’s name 亜 旺 on the donors list.

Tan Temple 4 inscriptions

4th from left is my father’s name  on the list of donors from Singapore to the Tan temple (photo Serene Tan)

Meeting my relatives for the first time, I learned my great grandfather’s name is 陈 正.   So he is the earliest of my ancestors I have come to know.

Meeting relatives

Meeting relatives ( photo Serene Tan)

relatives

Meeting relatives (photo Serene Tan)

I will be marking my father’s third death anniversary at the Singapore Buddhist Lodge, 17-19 Kim Yam Road on 23 Feb 2014 at 10 am. Friends and relatives are welcome to join us in prayers.

3 death anniversary

 

 

A personal account by Aylwin Tan who witnessed the exhumation of his grandfather and aunt at Bukit Brown on the morning of Wednesday, 8th January,2014.

***

I received a phone call from the exhumation office about 1.5 hours after I had registered. Picked my Dad up and went directly to the gravesite.

The green tentage is that of my aunt Tan Siok Hwa (aged 10) and the grey is my grandpa, Tan Cheng Moh. Both were killed during a Japanese raid; a bomber scored a direct hit on the bomb shelter where my grandpa had put his entire family, including his close relatives. Apparently, grandpa’s thinking was that they should all stick together and if they all died, so be it.

(photo Aylwin Tan).jpg 8

Exhumation at grave of aunt (photo Aylwin Tan)

(photo Aylwin Tan).jpg 6

Exhumation at grave of grandfather (photo Aylwin Tan)

Their funerals were carried out in haste. A number of traditions were abandoned for fear of being caught out in the open by the Japanese bombers e.g. mourners alighting to perform rites at every bridge along the way to the burial ground.

Mr Lee (the gentleman in yellow boots seen in the first photo) told me that the coffins and remains had disintegrated and had merged with the soil. Not surprising, given that they had passed about 70 years ago. The gravediggers gathered some earth and put it in plastic bags for the purposes of cremation.

(photo Aylwin Tan).jpg 7

(photo Aylwin Tan)

I was curious to know how the gravediggers knew that they had dug deep enough to reach the remains. Mr Lee explained that the gravediggers would know once they reached a flat surface as this was the bottom of the coffin.

The gravediggers were also able to tell that my aunt died when she was a child. If you look at my aunt’s grave, you can see a ‘step’ indicating that the coffin was shorter than an adult’s.

(photo Aylwin Tan).jpg 16

The grave of 10 year old aunt with a “step” ( photo Aylwin Tan)

(photo Aylwin Tan).jpg 12

Measuring the depth of aunt’s grave   (photo Aylwin Tan)

(photo Aylwin Tan)

The grave of grandfather dug until a flat even  surface was reached, where the coffin had been laid   (photo Aylwin Tan)

I was worried that Dad would not be able to negotiate the uneven terrain to the grave sites but the path worn out by the gravediggers proved manageable. Mr Lee told me that these gravediggers are the last of their kind in Singapore.

Dad spent some time telling his story to the gravediggers while I sorted out with Mr Lee the items found in the graves. Dad’s chair was provided by Swee Hong, the company that won the exhumation tender, a testimony to their planning and attention to detail. Also, you can see how they used the umbrellas to shield the boxes from the sun.

(photo Aylwin Tan).jpg 13

Umbrellas shading the remains from the sun as required by traditional practices. Aylwin’s father (seated) chatting with the grave diggers (photo Aylwin Tan)

The gravediggers recovered a chain and part of a bowl from my aunt’s grave. The bowl was probably used in the funeral rites. Mr Lee asked if I would donate them for research. I shall have to ask my elders’ permission first.

(photo Aylwin Tan).jpg 0

Items recovered from graves (photo Aylwin Tan).

My grandpa’s grave yielded a bullet and a piece of metal which looked like a cone with the top portion cut off. I had to surrender the bullet as it was not a spent round. The gravediggers surmised that the metal piece came from the bomb but I wonder where the bullet came from. Dad said that the metal piece was not the cause of grandpa’s death; a beam had fallen on grandpa’s head and cracked it open. Death was instantaneous. The sight must have been extremely traumatic for the family. Dad was only 11 or 12 then.

(photo Aylwin Tan).jpg 5

A bullet recovered from grandfather’s grave (photo Aylwin Tan)

One unexpected development came about when Dad suddenly said that my great grandfather was also buried somewhere in Bukit Brown. Dad did not know his name or the location of the grave site. Apparently, only one of grandpa’s brothers had this information and he had since passed. According to Mr Lee, great grandpa’s remains will be exhumed and disposed of if unclaimed after a period. Mr Lee also said that there was still hope if someone in my family could remember great grandpa’s name as the tombstone would surely state grandpa’s name. I’ll try my best to ask my relatives but am not very hopeful.

I will miss the 2 “Yodas” guarding grandpa’s grave. The other 2 guards look kind of effeminate.

(photo Aylwin Tan).jpg 10

(photo Aylwin Tan)

(photo Aylwin Tan).jpg 14

(photo Aylwin Tan)

The left panel of the tombstone lists grandpa’s sons and daughters. Dad is ‘Geok San‘, which means ‘jade mountain’ in Chinese. In accordance with Chinese tradition, the sons and male cousins in the same generation have the same identifying name. In my Dad’s generation, the name is ‘Geok‘. In mine, it is ‘Wee’, which means ‘great‘ in Chinese. I understand that these names are predetermined by the Chinese Almanac.

(photo Aylwin Tan).jpg inscription

Inscriptions of the names of 3 sons and 3 daughters (photo Aylwin Tan)

(photo Aylwin Tan).jpg 15

The start of exhumations this morning 8 January 2014 (photo Aylwin Tan)

The exhumation ended on a quiet note. After I had given written confirmation of the items from the graves that I had retained, I was given printed photographs of the two grave sites and that was it.

(photo Aylwin Tan).jpg 11

The end of exhumation (photo Aylwin Tan)

I was very impressed with the professionalism of the Swee Hong staff. They were attentive to my requests and sensitive to religious aspects of the exhumation. They worked fast but were in no hurry, allowing claimants all the time they needed to carry out their religious observances. Thanks to them, the exhumation process went smoothly.

- Aylwin Tan-

Additional Information : Both grandfather and aunt  died on 18 Jan 1942.

Grave of  Tan Cheng Moh 陳青茂 #769 (photo credit The Bukit Brown Cemetery  Documentation Project )

0769  Tan grandpa Documentation site 0769-2 Tan grandpa documentation site

Grave of Tan Siok Hwa  陳淑華 #763  (photo credit  The Bukit Brown Cemetery  Documentation Project)

0763 Tan aunt documentation site 0763-2 Tan aunt documentation site

Editor’s note: We would like to thank Aylwin Tan for giving us permission to reproduce his personal account on the blog. If you are a descendant who has ancestors staked for exhumation,   please share your story with us.

Email us: a.t.bukitbrown@gmail.com

 

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