The Story Behind Peg 2906

by Norman Cho

How many of us believe in the unexplained? There are reasons why certain things happen unexpectedly.  But are we receptive enough to take the cue from such signs?  One recent account was of tomb 481 which was pegged 2906 at Bukit Brown Cemetery, slated for exhumation to make way for the 8 lane highway due to slice the cemetery in half by 2017/

A post about the Ee Hoe Hean Club in the Facebook page of Heritage Singapore – Bukit Brown Cemetery, spurred me to do a search on my granduncle, Mr Tan Kay Tiang (ie) the husband of my paternal grandmother’s second sister, Mdm Yeo Say Neo. Grandmother had once told me that he worked for an exclusive millionaires’ club called the Ee Hoe Hean Club. No details of the position which he held or the period where he was under their employment were given.

Out of curiosity, I did a Google search over the internet and found to my astonishment that he was buried in Bukit Brown Cemetery and that his tomb was marked for exhumation with the peg number  2906.

Tan Kay Tiang Grave 1

The Grave of Tan Kay Tiang #2906

I made a few enquiries and discovered that the tomb had yet to be claimed and that it was due for exhumation in only three weeks! I tried to contact the deceased’s three grandchildren unsuccessfully to make a claim. They are in their fifties and sixties and I sensed their reluctance. They probably have their reasons to decide not to do anything about it.

Looking back, I realised that discovering his tomb just three weeks before the exhumation was no mere coincidence! Possibly, he was trying to reach out to someone to handle his exhumation and to relocate him during the desperate final few weeks. I felt very uncomfortable if I did nothing about it and so I decided to claim the tomb on behalf of the family. To make sure that I had identified the correct tomb, I verified the name of his only child on the headstone – 月娘which corresponded with the name of my late aunt, Guek (Guat) Neo. I found a newspaper article in the online digital archive (Newspapersg) which confirmed the identity of the tomb.

The tombstone of Tan Kay Tiang with closeup of daughters name 月娘 (photo Norman Cho )

The tombstone of Tan Kay Tiang with closeup of daughters name 月娘 (photo Norman Cho )

Family accounts has it that he died due to septic wound on his foot caused by a nail which he accidentally stepped on. He had concealed nails on the ground along the exterior wall of his house at Neil Road to deter thieves. The irony was not lost on me that these nails were what caused his death, A newspaper report in The Straits Times, 19 June 1938, “Nail Causes Man’s Death”  returned a verdict of misadventure. The date of death on the tomb was 10 June 1938.

Tan Kay Tiang married my grandaunt, Yeo Say Neo, in 1923 at his family home in Neil Road. He was 39 and she was 27. During those days when people commonly married in their teens, they were considered an old couple. The couple stayed together with Kay Tiang’s widowed elder sister and his mother.

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The wedding photo of Robert Chia and  Yeo  Guek  Neo ( courtesy of Family Archives of Tan Kay Tiang

My grandmother recalled visiting the 3-storey townhouse and was intrigued by the many carpets that she saw on each floor. The couple had their first and only child, a daughter, Guek Neo, in 1925. He was a doting father who was known to piggy-back his daughter till she was nine or ten. The maid would take over after he was tired. As a child, my aunt was thoroughly spoilt and there was an account where the maid was made to walk the dark alley to buy her favorite char siew pau for her supper.

After her father’s death when she was twelve, Guek Neo’s life took a drastic change. She had become a sensible young lady. The house was sold several years later and Guek Neo was arranged to be married to a Baba named Robert Chia, the son of a well-known nyonya medium in the 1920s and 30s who was known by the name “Ah Lian Potong Lemo” She could predict fortunes by reading the sliced limes.

Mrs Tan Kay Tiang (Yeo Say Neo) was the ideal wife and homemaker. She excelled in cooking and sewing. She was soft-spoken and mild-tempered. She did not gamble and hardly stepped out of the house. The maid would run all the family errands and do the marketing. To supplement her living expenses after the death of her husband, she made nyonya kueh which her maid would take to the coffee shop at Joo Chiat Road to sell. She eventually had to let her maid go as she could no longer afford to keep her but the maid was reluctant to leave her and stayed on for a few more years.

Yeo Say Neo circled (courtesy of Tan Kay Tiang family archives)

Yeo Say Neo circled (courtesy of Tan Kay Tiang family archives)

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A footnote:

Every tomb is a repository of personal stories of the family that was left behind

Moving forward 76 years later, I had made a claim for the tomb to be exhumed on 14 July 2014 and the remains to be re interred at Block E0116-202 in Choa Chu Kang Columbarium. It would be easier for me to visit since most of my relatives are placed there. He was buried in the traditional Chinese coffin which was relatively intact and had several funeral artifacts which included miniature clay kitchen utensils and two pieces of circular glass which I suspect could be reading glasses – one concave and the other bi-convex.

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The final resting place of Tan Kay Tian at CCK (photo Norman Cho)

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Artifacts found at the exhumation ot Tan Kay Tiang’s grave (photo Norman Cho)

About Norman Cho:

Norman Cho is a regular contributor to atBB and  guest blogs about his search for his roots and Penanakan material culture. He is the founder of the facebook group Peranakan Material Culture

You can find out more about Norman’s search for his roots here and here and posts about Peranakan culture here and here.

 

 

 

 

 

“Ullambana” Festival by Bukit Timah Seu Teck Sean Tong @ Tangling Halt.

by Sugen Raniah

The Ullambana Festival is observed and celebrated by the Buddhists during the Seventh Lunar Month. The Sanskrit term, ‘Ullambana’, refers to the compassion for all beings suffering in the realms of misery. The observance of this festival is based on a discourse by the Buddha – where Maudgalyayana, a disciple of the Buddha, discovers that his mother, Lady Niladhi, had been reborn into the realms of misery. The troubled Maudgalyayana then seeks the Buddha for help. The Buddha advises him to make offerings to the Sangha, as the merit of doing so would help relieve the suffering of his Mother, and that of other beings in the same state.

Here in Singapore, it is a common sight for Teochew sian t’ngs (temples) to perform these rituals during the seventh lunar month. I observed and documented the Ullamabana Festival at Tanglin Halt Market and Hawker Centre by the members of Bukit Timah Seu Teck Sean Tong.

There are three temporary ceremonial altars set up in the tentage – the main altar of the three Buddhas, the altar for the Patron Deity, Du Di Gong and the last for Da Shi Ye (King of Ghosts). Offerings of dried goods and drinks, vegetables, a variety of meat and paper offerings are assembled in the centre of the tentage. Here associate members of the market and members of public are invited to offer joss sticks to the wandering spirits. There are also smaller areas around designated for the spirits for ‘lodging’, ‘washroom’ and ‘leisure’ purposes.

A Main Altar of the Three Buddhas

Main Altar of the Three Buddhas (photo Sugen Ramiah)

B Food offerings of meat (photo Sugen Ramiah)

Food offerings of meat  and seafood (photo Sugen Ramiah)

C Meat Offerings (photo Sugen Ramiah)

Meat Offerings (photo Sugen Ramiah)

Unlike the elaborate Taoist salvation rituals by Xuan Jian Dian, the Buddhists embrace the recital of Ulka Mukha Sutra. Men, draped in red vestments, are represented as the Sangha (the community of disciples). The Sutra recited is an amalgamation of the mind, body and mouth. Mind in absolute contemplation, with hand gestures of the mystical Mudras and together with the recitation of esoteric words of the Sutras- they invite the wandering spirits to listen to the teachings of Buddha and liberate them from all sufferings. These men sing the Sutra in Teochew and the lyrics are accompanied by beautiful Teochew styled music. It is meant to work like a beautiful charm that draws the spirits to listen and attain liberation.

Men draped in red vestments are represented as the ‘Sangha’ (photo Sugen Ramiah)

Men draped in red vestments are represented as the ‘Sangha’ (photo Sugen Ramiah)

E The ‘Sanghas’ (photo Sugen Ramiah)

The ‘Sanghas’ (photo Sugen Ramiah)

F The ‘Sanghas’ paying homage to the Patron Deity of the market and hawker centre – Du Di Gong (photo Sugen Ramiah)

The ‘Sanghas’ paying homage to the Patron Deity of the market and hawker centre – Du Di Gong (photo Sugen Ramiah)

G The assembly of ‘Sangha’ and the recital of the Ulka Mukha Sutra (photo Sugen Ramiah)

The assembly of ‘Sangha’ and the recital of the Ulka Mukha Sutra (photo Sugen Ramiah)

H Performing a Mudra while in deep contemplation by the head ‘Sangha’ (photo Sugen Ramiah)

Performing a Mudra while in deep contemplation by the head ‘Sangha’ (photo Sugen Ramiah)

The tossing of longevity buns to liberate the wandering from all sufferings (photo Sugen Ramiah)

The tossing of longevity buns to liberate the wandering from all sufferings (photo Sugen Ramiah)

J – A happy supplicant

A happy supplicant (photo Sugen Ramiah)

The day ritual comes to a close with the tossing of longevity buns. The food offerings are then packed and distributed to contributors and friends. Members of the temple take a break before preparing for the dance of the auspicious lanterns later in the evening.

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Sugen Ramiah a teacher by training, has been observing and documenting Chinese festivals and rituals conducted by temples for the past one and half years.

More on  the Hungry Ghost Month from Sugen  here  and here .

 

 

I am Jing Xiang, an architecture student from NUS. I would like to dedicate a drawing of Bukit Brown I did in 2013 to Bukit Brown, those interred there whose histories precede their death and of histories yet discovered, and to All Things Bukit Brown for raising awareness of this rich heritage site.
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About the Drawing…..
It’s not an accurate depiction of the physical landscape, but rather it represents the landscape as imprinted onto my mind that which is then translated into a drawing. In short it is my memory of the landscape. The section drawing also reveals the underground, a condition that we cannot see but doesn’t mean it isn’t present. The roots of the trees intermingle with some remains of the body. This relationship is open for interpretation, one obvious one is the connection between bodies (pioneer/ancestors) and ‘root’.

Some elements in the drawing are all too familiar landmarks in the cemetery, while others suggest hidden secrets, or things that,as of the present moment, has disappeared due to the roadworks. The drawing straddles between what is real and what is imagined, what is there and what is not there, or ‘not there’ because we can’t see it (yet) like other intangible (forces or) values of Bukit Brown.

(please click to view and appreciate full image)

sectional landscape Jing Xiang jayx89@msn.com

Sectional landscape by Jing Xiang

Copyright:
“The use of the image for private or educational purposes is permitted, however, for public related matters that involves making the image physical such as publication, mass-printing, or for other forms of commercial purpose; I would appreciate that the relevant person would first seek my consent”  Jing Xiang

 

by  Joshua Ng

Instead of enjoying a quiet and uneventful Saturday, I chose to spend it at a live tomb measurement exercise. Armed with a trusty can of mosquito repellent, jeans and covered shoes, I arrived at the Bukit Brown Main Gate at 3.30pm. It was 35 degrees Celsius and I started to doubt my decision.

After a round of introductions, I was assigned to a team with Wei Ming (the drawing maestro), Andrew  and Simone who are Brownies (volunteer guides). We had met briefly during the previous week’s theory and briefing workshop at NLB.

Our assigned tomb was Tan Ean Kiam’s wife, Ye Yan Niang (葉焉娘). Our task was to measure and draw the front view, section view and the plan view of the tomb.

Tomb Measurement _Ee Hoon

Wei Ming (foreground) , Simone and Joshua (photo Ee Hoon)

Initially I was wondering why we needed four people to measure a tomb. It only made sense when we began our work. The curves, elevation and non-rectilinear structure makes it really hard to get an accurate reading. We had to use strings, bamboo sticks, IKEA flexible paper rulers, a metal tape measure as well as insect repellent to get it done.

Tomb Measurement 2 Ikea _Ee Hoon

Simone and Joshua  using the “ikea paper” ruler (photo Ee Hoon)

The little insects that make their homes around the tomb were not amused — I even got a few ant bites on my hands. Some even crawled up my covered shoes and jeans and bit my calves.

Thankfully, after three hours of hard work, we finally finished our sketch. Our drawings were not the best. We committed at least one mistake, which was to assume that the sides are mirror images of each other. Chee Kien told us that we should not assume but measure and draw the tombs just as they are found. He pointed out that sometimes in a “couple” tomb, part of the tombs may be intentionally elevated so that the “water” will flow towards the descendants of one side.

This is not the first insight I gained from these two weeks of tomb measuring. I also learned that the different dialect groups have very different tomb designs. The one we measured clearly had a Hokkien design. Besides that, only the tombs in Bukit Brown have special bricks backing behind the head stone. It would have been very expensive to import bricks from China, so  brick making was one of the earliest industries in Singapore.

As our assigned tomb was Tan Ean Kiam‘s wife, I figured he must have been some important person. I looked him up and found out that he was one of the founding members of OCBC Singapore. And he was also one  of the founding members of the  Tong Meng Hui (同盟会), which supported Sun Yet Sen’s revolutionary effort.

Another unique feature of this tomb is that the history of Mrs Tan was written by Tan Ean Kiam himself. According to the Brownies, Tan Ean Kiam’s own handwriting was inscribed on the body of the pedestal altar. Other than the fact that Tan Ean Kiam was alive when his wife passed away, we also know that he must have loved his wife a lot to do something so unusual as to personally inscribe her life story.

Tomb Measurement 5 _Andrew Lim

Tan Ean Kiam’s tribute to his wife inscribed on her grave (photo Andrew Lim)

What amazed me the most is the fact that such a simple exercise like tomb measuring could connect the dots in my understanding of those who went before me. It makes me wonder what interesting facts I can discover from my grandparents’ tomb. Qing Ming (清明) would have been more fun if we were told about all these unique cultural factoids.

Mrs Tan’s tomb is just one tomb. There are about 4,000 tombs that are going to be destroyed without proper measurement and documentation because of the building of a highway that will cut Bukit Brown into half. Who knows what other important life insights we might have missed by not preserving and treasuring the stories of those who went before us.

There are 100,000 graves at Bukit Brown. Imagine how much time and effort will be needed to document them all. And as a digital heritage enthusiast, I can’t help but wonder if there could be better and faster ways to do this. Looks like my journey have just begun.

Tomb Measurement 1 _Ee Hoon

One for the album with the full team. Andrew on the left , Simone, Joshua and Wei Ming with his drawing, (photo Ee Hoon)

Tomb Measurement 4 _Ee Hoon

Dr Lai Chee Kien (third from left) sharing a light- hearted moment with his students (photo Ee Hoon)

Group photo_Tan Wei Ming

The inaugural class of June’14 (photo Wei Ming)

Drawings+Khoo Ee Hoon

Some of the drawings from mainly the architectural students of the workshop (photo Ee Hoon)

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Editors note

Documenting and taking precise measurements provide valuable data  to analyze the proportions and variations through IT applications and ultimately relate it to Feng Shui. Tombstones are not just built, they are “feng shui’ed” Citizenry participation in a project like this is crucial because of the sheer size of Bukit Brown and because it signals a deeper engagement of ordinary people in wanting to understand all aspects of Bukit Brown. So kudos to Lai Chee Kien for this initiative and the first batch of participants for signing up. Hopefully there will be more.

What the tomb measurement workshop covered here.

 

 

 

In a report, published on Sunday, 22 June, 2014,  Bukit Brown  emerged as among the top 3 sacred sites in Singapore,  voted by readers in a Straits Times poll.

On learning of the news, Claire Leow, co founder of All Things Bukit Brown reflects:

To see the Singapore Heritage Society recognised is most apt, for they sparked the civil society response back in November 2011.

To see the Brownies identified as a group is itself moving, as this disparate group of volunteers, heritage enthusiasts and selfless sharers of knowledge and skills has been utterly inspiring. You don’t get more organic than this community, active on site, offsite, beyond keyboards and in cyberspace. Hats off to sifu Raymond Goh and Charles Goh  for their inspiration.

And to see others rally behind the Brownies, to cheer us on, to lift us up when we are down, to join us when we utter the rallying cry to stand up and be counted, to share sunny weekends and stormy ones at Bukit Brown, and just patiently adding to the knowledge we are just uncovering day by day, gently correcting our mistakes, boldly stepping in with expertise, shaping the very history of this campaign. Amazing. Very moved……”

Bukit Brown – one of the three sites Singaporeans voted as a sacred place.

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The Straits Times
Dateline: 22 July, 2014

The overgrown graves stretching for 200ha bang amid the city bustle make for a restful, peaceful spot rare in urban Singapore.

But when Bukit Brown Cemetery was slated for redevelopment for roads and residential buildings, it was more than its lush beauty that resulted in that rarity in Singapore – vocal protests to preserve it.

The site tugged at Singaporeans’ heartstrings, being the resting place of many forefathers of the country, a living repository of the Chinese diaspora’s tomb culture and design, and where descendants today visit for traditional rituals such as tomb sweeping.

Two civil societies – the Singapore Heritage Society and heritage enthusiasts who dub themselves “the Brownies” – organised petitions and embarked on efforts to document tombs.

No substantial concessions were made by the Government, however, to save the site from an eight-lane road running across it. It is also slated for residential development beginning with its southern portion.

Yet, it’s among the top three sites that Singaporeans deemed as “sacred” places in a recent Straits Times poll.

The poll itself followed a call by academic Kishore Mahbubani, dean of the Lee Kuan Yew School of Public Policy, for a list of sacred spaces and places to foster a love for Singapore, to help it fully become a true city.

Singapore already has essential aspects such as “busyness” and being “safe”, he said in a commentary in The Straits Times, citing American urban geographer Joel Kotkin. However, it lacks the sacred, he said, which Kotkin defines as any unique institution or spot “that (makes) one feel an irrational commitment to a place”.

Certainly, pockets of the population saw the Bukit Brown protests as verging on irrational, given the need for more roads in congested Singapore.

Still, Professor Kishore’s commentary comes amid increasing efforts to make more of Singapore’s heritage, such as the conservation bid by Pearl Bank Apartments’ owners in April.

And it puts the spotlight on the approach to heritage preservation. Insight looks at the challenges and what more might need to be done.

Blunders of the past

In 2004, Singapore’s red-brick National Library building was unceremoniously razed to the ground to make way for the Fort Canning Tunnel.

Built in 1959, it was considered by some as architecturally undignified compared with its grander neighbour, the National Museum of Singapore.

Despite extensive efforts by the community to save the space – with a normally passive public penning angry forum letters in the media, and architects such as Mr Tay Kheng Soon proposing alternatives, including re-routing the tunnel – the dissent was swept under the carpet.

Experts say this marked a turning point as it sparked a rise in civic activism and was when Singapore’s conservation movement took root.

It crystallised the idea that heritage conservation and preservation goes beyond protecting splendid colonial buildings to encompass our social and cultural soul.

Retired shipping manager Yeo Hock Yew, 65, says the library had been part of his life since he was a schoolboy studying at nearby St Joseph’s Institution.

“In my university years, I headed there to do research and, as a father, I brought my children there every Saturday morning.

“It was part of the whole landscape of bookshops from the Bras Basah row and the MPH building in Stamford Road. If you couldn’t afford buying from these places, you headed to the library.”

During Singapore’s early years as a new nation in the 1960s and 1970s, swathes of the country fell victim to the wrecking ball. The Government’s main priority, understandably, was to improve living conditions and build up the economy.

Still, awareness of the need to save heritage sites began to emerge. In 1971, the Preservation of Monuments Board (PMB), which last year became the Preservation of Sites and Monuments (PSM), was set up to provide legal protection for national monuments. The division now falls under the wing of the National Heritage Board (NHB) and its role includes offering monument owners guidance and regulatory support.

The board itself is the big daddy of Singapore’s heritage custodianship, promoting heritage appreciation through managing its national museums, documentation and outreach efforts.

Then there is the Urban Redevelopment Authority (URA), established in 1974 and charged with studying old buildings for possible conservation as part of land use planning.

On the private scene,the Singapore Heritage Society, a non-governmental organisation, was established in 1987.

Academics note that people are talking more avidly about heritage than they did 10 to 15 years ago. “People have grown more expressive about protecting their heritage. It has become part of public discourse,” says Professor Johannes Widodo.

This has also given rise to the recognition that there are new categories of heritage which deserve protection……Read on here

Dawn - the best time to bird watch (photo: Goh Si Gium)

A Sacred Place (photo: Goh Si Gium)

 

Photo Catherine Lim

(Photo Catherine Lim)

 

“Moving House”

The Story behind the Painting

 by Alvin Ong

The story of 3 affected graves at Bukit Brown not too long ago inspired a revival of family interest; Tan Yong Chuan (Blk 4, Div C), Tan Tiam Tee (Blk 3, Div B), Wee Geok Eng Neo (Blk 4, Div 6) were exhumed in May 2014. Old photos were unearthed from family albums, and heirloom objects from another era suddenly came to light. For the first time in decades, stories and narratives unlocked themselves from these objects and brought new layers of meaning to the notions of home and identity.

Tan Tiam Tee was the son of the magnate Tan Hoon Chiang (buried in Bukit China, Malacca), one of the founders of the Straits Steamship Co. His wife, Wee Geok Eng Neo, and his son, Tan Yong Chuan were all affected by the proposed highway.

(click on images for a bigger view)

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Funeral of Wee Geok Eng Neo, nee Mrs Tan Tiam Tee. Upper Thompson Rd, 1926. (photo courtesy of Alvin Ong)

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Funeral of Tan Tiam Tee, 1930. (photo courtesy of Alvin Ong)

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Funeral of Tan Yong Chuan, died age 29, 26 November 1937, Neil Road (photo courtesy of Alvin Ong)

 

Funeral of Tan Yong Chuan, died age 29, 26 November 1937, Neil Road. (photo courtesy of Alvin Ong)

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Descendants at the tomb of Tan Tiam Tee, holding his portrait during Cheng Beng -tomb sweeping festival, 2012 (photo courtesy of Alvin Ong)

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Descendants at the tomb of Tan Yong Chuan, Cheng Beng-tombsweeping festival , 2012 (photo courtesy of Alvin Ong

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Pictures from the exhumation of Wee Geok Eng Neo, May 2014 (photo courtesy of Alvin Ong)

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Pictures from the exhumation of Wee Geok Eng Neo, May 2014 (photo courtesy of Alvin Ong)

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Pictures from the exhumation of Wee Geok Eng Neo, May 2014 (photo courtesy of Alvin Ong)

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Pictures from the exhumation of Wee Geok Eng Neo, May 2014 (photo courtesy of Alvin Ong)

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Pictures from the exhumation of Wee Geok Eng Neo, May 2014 (photo courtesy of Alvin Ong)

Miniature cooking pots were interred in Mrs Tan Tiam Tee’s tomb, presumably for her to cook in the afterlife, along with a pearl sanggul, and bracelets. According to my relatives, a set of gold teeth with an engraved heart shape was also found in Tan Yong Chuan’s tomb.

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Tan Yong Chuan (son of Mr and Mrs Tan Tian Tee) was finally reunited with his wife for the first time in Holy Family Columbarium after 77 years. The columbarium has an unusual regulation that all photos of the deceased must be in color.

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Original photo of newly-wedded Tan Yong Chuan and his wife. (photo courtesy of Alvin Ong)

No color photographs of the deceased had existed at that time, so with the help of numerous correspondences, scans were digitally emailed, and the photos doctored and hand-painted.

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Painted portrait of Maria Anna Seet Chow Neo by Artist (photo courtesy of Alvin Ong)

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Painted Portrait of Tan Yong Chuan by Artist (photo courtesy of Alvin Ong)

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Reunited Mr. & Mrs Tan Yong Huan (photo courtesy of Alvin Ong)

 

Studying overseas has allowed the artist the space, physically and emotionally, to explore ideas of home and identity. These graves were only re-discovered shortly after the redevelopment plans were announced. The sight of the many abandoned tombs on the artist’s first visit to Bukit Brown had sparked questions about what happened to the descendants of the people who were interred there, which in turn, prompted the artist to explore if there were indeed any family connections to the cemetery at all. Beyond the historical and material significance of the place, it also felt like a site where mystery, the past, and present all came together. Reuniting with the tombs for the first time in many years became an emotional moment for some, and it also made us feel as though we have touched history, an experience that is becoming exceptionally rare in Singapore.

These were ideas that all came together in the painting, which were almost auto-biographical in that they featured vignettes of the artist’s experience with the discovery of the pioneers of Singapore and his roots. One random memory was a trek with Raymond Goh to Seah Eu Chin’s grave; One of the Teochew stone lions guarding the perimeter of the tomb eventually found its way into the picture. Raymond was featured in the early stages of the work, but in the end, this idea of displacement, loss and discovery surfaced in the final version titled, “Moving House”.

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“Work in progress” by artist Alvin Ong (image courtesy of the artist)

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Final work, “Moving House”, acrylic on canvas, 90 x 61cm (courtesy of Alvin Ong

This is not the end of the road. There is yet another tomb whose story remains waiting to be told, my maternal great grandfather, Peck Mah Hoe, pictured here. The artist will be heading to the Peck clan temple in attempt to uncover more. And hopefully, there will be more paintings to come.

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The grave of the artist’s maternal great grandfather, Peck Mah Hoe(photo courtesy of Alvin Ong)

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Stele in Peck clan temple with the name “Peck Mah Hoe” at the top, although the character for “Hoe” differs from the one on the tomb. Photo courtesy of Yik Han.

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About  the writer who is an  artist :

Alvin Ong is reading fine art in Oxford, and did architecture at the National University of Singapore. In 2004, he was the youngest winner of the UOB painting of the year award at the age of 16. He had his first solo exhibition at 17, in the presence of His Excellency President S R Nathan.

 

 

 

 

by Raymond Ang

We visited Bukit Brown on a warm Saturday morning on June 7th , to find that the usual scene to the cemetery gates changed. There are now fences leading all the way to the gates. Clearly the construction for the highway has started.

I had brought my students from the Jakarta Nanyang School here to Bukit Brown to learn more about the links between Indonesia and Singapore. The students sweltered in the humidity. I had two groups and one group had lost their way. They had set off from Nanyang Girls’ High School and one of them took a wrong bus.

Beng from the heritage group for Bukit Brown arrived on his bicycle dressed in green cargo pants and wellies. He wore “the” plastic Casio digital watch – the one I wore growing up in Secondary school. He had jerry rigged a plastic bottle to act as a mud guard for the rear wheel of his bicycle. I knew I was going to like him already.

Just as Claire arrived in a taxi, the group that was lost called me on the phone. They were still trying to figure out where they are. Their teacher was from Jakarta too and didn’t know her way around. We decided to start the walk with the one group of students first.

Claire led the way and started to draw connections between the pioneers’ lives, history and culture in Singapore and Indonesia for the students. The tombstones started to mean more than just a random collection of stone, concrete and tiles. The Japanese attack and occupation of Singapore was a large theme – Mr Tay Koh Yat had fled to Batavia on the second last day of the fall of Singapore.

JNV Students with Claire Leow at Tay Koh Yat(photo Raymond Ng)

JNY Students with Claire Leow at Tay Koh Yat (photo Raymond Ng)

Mr Lee Kuan Yew had family ties in Indonesia. Though bothered by mosquitoes and the heat, the students trudged on. Beng brought out his insect repellant and sprayed the students down. I had told the students to bring some repellent yesterday, but I guess no one did.

We found out that the other group were on the other side of the hill – Mount Pleasant. Beng offered to go get them and dashed off on his bicycle. Claire drew the connections between saga seed and karats for diamonds; between colourful European tiles, Japanese innovation and adaptation and the Ming Chinese influence on Dutch kitchen tiles.

We visited Ong Sam Leong’s tomb and learned about fengshui and distinctive role of Sikhs in Singapore’s colonial history. This is the Nanyang style. One of my students asked me what would happen when the highway gets built. I replied that all this would disappear eventually – she didn’t seem to quite understand. “But it is interesting”, she said. “Yes I agree. I don’t think there is anything else quite like it in the world.” She frowns. “So it would all be gone?”. I nodded. It was sweltering hot. Some of the students were running low on water. Beng pulls out his canteen and starts topping up bottles. I feel very grateful and touched, but wasn’t sure how to express that. So I just smiled and made a mental note.

JNY Students with Beng Tang _photo Raymond Ng

JNY Students with Beng Tang (photo Raymond )

We ended the tour with a visit to Mr Tan Chor Nam’s tomb. It is simple and distinctively modern. A rectangular plot with a black rectangular headstone. No angels nor lions here. Herein lies one of the founders of Nanyang Girls’ High School. I asked the students to observe the differences between this tomb and the others we have visited in the morning – they could clearly see the difference. The principle of Nanyang Girls High (Singapore), Mdm Heng had told me once that Mr Tan Chor Nam had died a simple man – apparently he had dedicated a large part of his fortune in setting up the school. I tried to draw the connections between Nanyang Girls’ High School and the sister school in Jakarta, and asked the students to maybe think about how they would like to be remembered in the future.

For me Bukit Brown is a reminder that we stand on the shoulders of giants who have come before us, and shaped the environment in which we have grown and “become”. “What would your legacy be?” I asked? The students looked back at me without speaking. It was a serious question. Maybe too serious. I smiled and said, “alright, you don’t have to tell me. Just think about it.” I hope they do.

****

Raymond Ang, a Singaporean, is the Head of Experiential Education Centre at the JNY, the Jakarta Nanyang School. He requested a visit to Bukit Brown when his students were on a week long learning journey to Singapore. Brownies Claire Leow and Beng Tang, who stepped up to the plate, despite the late notice, were very impressed with how engaged the students were and their independence as they had to find their own way to Bukit Brown.

JNY Students at Ong Sam Leong (photo All Things Bukit Brown)

JNY Students at Ong Sam Leong (photo All Things Bukit Brown)

 

The Straits Times published a letter from the Singapore Heritage Society and All Things Bukit Brown 15th May, 2014 in response to an ed-op piece ” Can Civic Society Influence Policies   on 12th May.  The edited letter is available here

We reproduce the original and highlight key parts which were edited :

We refer to the article by Assistant Political Editor Leonard Lim claiming that civil society groups “extracted concessions on Bukit Brown cemetery” in his opinion piece, “Can Civil Society Influence Politics?” (ST, May 12, 2014).


As key players of the civil movement trying to protect and preserve Bukit Brown, we are unclear as to what “concessions” Mr. Lim is referring. It is now a well-established narrative that officially in 2012 when the road was announced, the decision to build a highway through Bukit Brown had already been made. We state for the record we were present at a briefing by the Ministry of National Development but that there was no consultation or protracted engagement thereafter to extract any concessions. We issued a call for a moratorium and moved on.


Mr. Lim references a subsequent decrease in the number of graves planned for exhumation for the 8-lane road across Bukit Brown from an estimated 5,000 as part of a compromise reached with civil society. This is not the case.


There are two points to clarify to prevent this misstatement of facts from being (repeatedly) perpetuated. One, the number of graves finally affected was reduced not to 3,764 as stated in Lim’s article, but to 4,153. The error occurred because Mr. Lim quoted from a Land Transport Authority (LTA) announcement in a March 19, 2012 statement on the realignment of the road. It was in an August 5, 2013 statement by Urban Redevelopment Authority (URA) and LTA to announce the award of the contract for the road that the final tally of affected graves was issued. Two, both statements clearly attributed the realignment of road to an engineering decision, and the drop in the number of graves affected had nothing to do with consultations with civil society.


On the second point, we draw attention to the LTA statement that announced that the road design includes a bridge over several creeks in Bukit Brown rather than a design that will see a filling up of these natural drainage networks with soil. There was no consultation on the original design or its changes. It is not clear if the adjustment was a result of a yet-undisclosed, but limited-scope Biodiversity Impact Assessment that the LTA conducted in early 2012. Regardless of the reason, that this change in design has been reported several times in your newspaper to be a result of a “compromise” with civil society is erroneous and needs to be corrected so as not to be repeated.

To date, there is likewise no consultation about the zoning of the greater Bukit Brown area in its entirety for residential use in the 2013 Draft Land Use Master Plan released by the URA. This area includes the larger cemetery complex comprising Bukit Brown, Seh Ong, Lau Sua, and Kopi Sua.


Now that we have clarified the events of 2012 and the decisions announced thereafter on official record, we would like to focus on the present and note that we have been meeting with the National Heritage Board since mid-2013 and hope to make more progress in protecting Bukit Brown. We write to clear the air so discussions are based on facts, not misrepresentations, and the public is not misled.

Signed:

Chua Ai Lin (Dr) President, Singapore Heritage Society, Claire Leow (Ms) co founder, All Things Bukit Brown

****

The original article reproduced here for reference, highlighted paras on Bukit Brown :

ST Opinion, May 12, 2014
Can civic society influence policies?

By Leonard Lim, Assistant Political Editor

THE large, spreading banyan tree once had such a thick canopy that little sunlight could filter through, hindering the flourishing of any plants below.

But, to borrow this metaphor of the State made famous by former minister George Yeo in 1991, it has been pruned somewhat in the past couple of years.

Consultation and engagement have become the buzzwords of government policymaking in a changed political landscape, with a more well-educated, well-travelled populace becoming more assertive and vocal.

There may be no better time for civil society – the wide spectrum of organisations operating outside the government and business sectors – to test this pledge to listen more, and in the process carve out a more influential role for itself.

They can take heart from the naming of Mr Tan Chuan-Jin last year as the Government’s unofficial point person for engaging with non-governmental organisations (NGOs). Mr Tan is Manpower Minister and a member of the fourth-generation leadership.

In 2012, Law and Foreign Minister K. Shanmugam met gay activists to discuss matters such as discrimination and the anti-gay sex law Section 377A.

The State’s engagement with other interest groups on animal rights, heritage and conservation as well as environmental awareness has also increased.

Civil society has scored significant victories recently as well, influencing legislation and government policy.

Since the start of last year, foreign maids – either with a new work permit or a renewed one – have been entitled to a day off every week, or must be paid a day’s wages in lieu.

As contracts last two years, all maids will, by next January, be on new contracts that have to abide by the rule. The change came about after a decade of lobbying from groups championing the rights of migrant workers.

Laws on sexual crimes have also been repealed.

It started in late 2011, after an article highlighting a little-known section of the Evidence Act was put up on website publichouse.sg. The Act allowed a man charged with rape to discredit the victim by digging into her sexual history, and showing she is of generally immoral character.

Mr Andrew Loh, who runs the site, circulated the post to several ministries to get a response.

He received a call from the Law Ministry suggesting a meeting, but turned it down as he felt the Association of Women for Action and Research (Aware) was the expert on the topic.

Mr Shanmugam eventually met representatives from the women’s rights advocacy group and later started the process of amending the Act.

Nature lovers, who in 2001 succeeded in getting the reclamation plans for the Chek Jawa wetlands area shelved, also extracted concessions on Bukit Brown cemetery recently.

Several nature and heritage groups opposed the construction of a road that would slice through the historic graveyard.

It is the largest Chinese cemetery outside China, and among the thousands of graves are those of philanthropist Gan Eng Seng and Lee Hoon Leong, grandfather of founding prime minister Lee Kuan Yew.

After months of engagement, a compromise was reached and the authorities changed the road’s design so that the number of graves exhumed fell from 5,000 to 3,746.

But there are also many examples where civil society’s push for change was not successful.

Earlier this year, several activists took issue with the Government’s tabling of proposed legislation to keep the peace in Little India following last December’s riot.

They argued that the parliamentary Bill placed too much focus on alcohol as the cause of the riot, and this might influence a Committee of Inquiry’s deliberations.

Several non-partisan Nominated MPs criticised aspects of it. But it was passed, with the Government explaining that the new laws would give the police powers in the neighbourhood for a year until longer-term measures could be enacted.

Other recent civil society proposals that were rebuffed include calls to introduce a poverty line to reduce income inequality, and the withdrawal of licensing regulations of news websites, which some saw as onerous and curbing free expression.

But groups can take heart that “the Government has and will continue to engage civil society as an essential partner in dealing with the important issues that face Singapore”, as Mr Shanmugam’s press secretary wrote in a letter to The Straits Times Forum page last November.

Still, even as the political leadership indicates a greater willingness to engage, there is always the lingering question mark over whether a civil society group’s actions or statements are deemed to have crossed into the political arena, thus risking censure from the Government.

This longstanding stance of politics and political comment belonging only in the realm of party politics can be traced back to the fledgling days of the People’s Action Party.

In the 1960s and 1970s, leftists used trade unions and cultural groups to garner support against the party.

A recent incident involved activist Nizam Ismail.

In April last year, the lawyer was accused by the Government of using the Association of Muslim Professionals (AMP) as a platform for pursuing partisan and racial politics, a claim which he denied.

He resigned from his AMP leadership positions, saying he was told the Government had taken issue with his online comments and participation in political events that he said he did in his “personal capacity”.

In the wake of the furore, Mr Lawrence Wong, Minister for Culture, Community and Youth, said in May last year that the Government welcomes feedback on policies even if they may be critical, as this helps improve public policy for the benefit of all Singaporeans.

But NGOs “should not be used as a cloak for partisan political objectives”, he stressed.

“Similarly, while individuals in the NGOs are free to express their views, they should not use their organisations to pursue a partisan political agenda,” he added.

The goals of civil society in wanting social transformation, however, mean these limits will inadvertently be tested on occasion.

Still, if the saplings under the banyan tree are to take root and thrive, much will depend on how willing Singapore’s civil society is to push the boundaries and extend its reach in this new landscape.
limze@sph.com.sg

Banner_James Tann

Save Bukit Banner (photo James Tann)

 

 

by
Cherlyn Lee Suet Yean

I am a Junior College  student who loves history and writing poetry. To me, history is a grand story  with so many interesting details waiting to be discovered. In my free time, I love taking long walks  around Singapore, letting my feet absorb the atmosphere of different places. I learn so much about  Singapore’s history that way.

Naturally, I am interested in Bukit Brown because it is full of history. In fact, I went there earlier this year. But amidst all the tombstones, there was one that held a special resonance for me—the tombstone of Khoo Seok Wan. He was a poet and a scholar, and his life story is particularly fascinating because it contains all the vicissitudes of life.

I became interested in visiting Khoo’s tombstone after I attended an excellent exhibition on him at the National Library. He was born rich but became poor, and died of leprosy. But what really struck me was the beauty and immediacy of his poems, written in classical Chinese style. He is refreshingly honest about his poverty, and his poems chronicle details of his daily life very poignantly.

I suppose I was also was able to identify because I write poetry.  I enjoy writing poetry because I get to express myself, and it is a way to channel my emotions. So I decided to visit Khoo’s grave as a  pilgrimage to seek inspiration, and to pay homage to a great poet.

For me, the poem of his that I loved most was “Reflections on Building my Grave”. It is by an immigrant who has reconciled himself to the fact that there is no return to the motherland, and his characteristic honesty (with himself) can be seen. He also reconciles himself to inevitable change, and the line “年年新綠到天南“, as much as it describes how grass will grow yearly around his grave, is a statement that accepts change. This is particularly fitting given the change that is happening now, with a road being constructed through Bukit Brown.

In fact, I recited this poem by his tombstone because it felt right to do so, like completing life’s cycle. In his acceptance of dying in a foreign land that has become home, there is perhaps a larger acceptance of change. Given that the highway will be constructed through his tomb, it is perhaps a way of sending him to his final rest. And this is fitting because of the way he stoically endured through the vicissitudes of life with courage and dignity.

This is my tribute to Khoo Seok Wan:

Visiting Khoo Seok Wan’s Grave 

As I enter, a tripod covered with verdigris promises
That if I pause long enough, its invisible
Camera will capture me against a hill of tombs.
This afterimage will bewilder passing cars.

At Khoo’s burial mound I recite
“Reflections on building my grave”.
Translated, its crow-squawked syllables
Hover in the somnolent air. A creased map
Guided me here, amid the river of red
Inscriptions I cannot read.

The highway blueprint that sent in
An army of excavators must have been
A summons from the dead. Otherwise I
Would not have come to you
With a broom and a book of your poems.

  “Reflections on Building my Grave” by Khoo Seok Wan 

(translated by Shelly Bryant from the NLB exhibition)

in sea and on hills

little space even for my abode

how then may these buried bones

leap over the Sword Pond

even were you to call a third time

I will have no hope of rising

from Singapura’s soil [Xing zhou]

when I fall, at last, into repose

a petal brushes my headstone –

another butterfly repeats life’s circle

yet even in these grave markers

styles alter with time

like grass growing anew

in its season

with each passing year

changes again touch

our southern home

The inscription at the tomb of Khoo Seok Wan (Photo: Claire Leow)

The inscription at the tomb of Khoo Seok Wan (Photo: Claire Leow)

KSW's Tomb (photo Khoo Ee Hoon)

Khoo Seok Wan’s Tomb (photo Khoo Ee Hoon)

Editor’s note: Khoo Seok Wan was exhumed on 12 March 2014, with his grandson and his great grandsons in attendance.

The following blog entry was written by Denyse Chua Pei Yun, a first year Faculty of Arts and Social Sciences undergraduate at Tembusu College. She and her classmates visited Bukit Brown on 8 March 2014. 

Cemeteries to me seem to extol the notion of death and seat its weight in the society of the living. A collectivized piece of land plotted to house the dead community, to which the living visits to give flowers and incense and their respects. These skeletons habiting under our feet are commanding our ways of life without as much of a murmur. Yet even with such daunting and ghoulish imaginations of cemeteries, Bukit Brown posits a sense of familiarity and nostalgia – not the eerie predispositions of the phasma phasmatis, but a reminder of culture and nature tumbled in an isolated park-like setting of greenery and avid runners; a platform that accommodates both the living and the dead at a grassroots level.

Conditioned by the media’s chilling and unnerving perspective of such death collectives, and coming from a community where life and youth is celebrated, the fourteen of us wide-eyed and intrigued undergraduate students didn’t know what to expect when we arrived at the largest gravesite in Singapore. Fortunately, we visited the site in the afternoon when the sun was still up and the possibility of the specters of our dead forefathers being in our presence didn’t spook us too much.

We visited Bukit Brown as part of a research field trip for a module on the topic of death hosted by Tembusu College, a University Town College in the National University of Singapore. Our lecturer Dr Connor Graham, who was also present at the site, teaches this module with an unusual level of enthusiasm for the departed. A bus ride down to Bukit Brown cemetery took us on a trip down Singapore’s memory lane, and much was to be explored around the willowing trees and hastily buried graves.

We found ourselves touring with other cemetery enthusiasts on International Women’s Day. The tour was led by a group of avid volunteers eponymously named Brownies, who help to manage and educate the public on Bukit Brown’s history, strategically centered on the graves of women, their stories, and their legacy.

Figure 1. A Brownie in (passive) action

Figure 1. A Brownie in (passive) action

Altruism was a key theme throughout the tour, as the guides shared stories of women both of status and none, who played significant roles in creating and contributing to today’s Singapore, amongst other quirky figures. One specific story of a 19-year-old lady who encompassed the virtues of bravery and heroism spoke to me. The grave of a 19-year-old maiden and her story was reminiscent of the willingness to sacrifice oneself for others, a virtue and value that can I feel can hardly be seen in today’s youth, and I include myself here. Soh Koon Eng was my age in the 1941 when she was unfortunately killed by an air raid during the Second World War, throwing herself in front of her family to shield them from flying fragments of furniture from the explosion. This selfless act cost her life in the most painful way possible, but saved the lives of her family, who lived on to tell her story.

With so much happening in the living world, it is easy to overlook the abundance in culture Singapore provides, contrary to the belief that this island is all but a concrete jungle with nowhere to get away. In Bukit Brown, an area isolated from the perpetual churning of our roaring lion city, the voices of those forever silenced are deafening. Thankfully, we have the Brownies to be grateful for voicing their rumbles, recanting stories of the dead with a whisper of vivacity while maintaining the gravitas of their life, legacy and contribution to Singapore’s modern success.

Coming from a generation of Singaporeans where cremation is the last step in life (and death), it hadn’t occurred to me that cemeteries in Singapore were such an important part of the landscape and were so entwined in national discourse, not only in her history, but also in our present. The sequestration of a part Bukit Brown would be the final effort of legendary figures untold in history books for Singapore, paving the way for the future, and for the living.

Figure 2. Tembusians treading on dead leaves...and around dead bodies

Figure 2. Tembusians treading on dead leaves…and around dead bodies

 

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